The point of Michelangelo's Creation of Adam is to depict the moment God gives life to the first man, highlighting the divine spark within humanity and the connection between the creator and the created. Symbolically, the painting also represents the transmission of consciousness, thought, and free will, with the gap between the nearly-touching fingers signifying the separation between divine perfection and human reality, or the choice humans have to connect with a higher power.

The Creation of Whinot is a blatant parody of Michelangelo's Creation of Adam, replacing Adam with Whinot Toonish, and God with his creator, myself. Whereas Michelangelo's painting depicted the connection between the all powerful creator and the mortal created, as well as the gap between them, The Creation of Whinot flips the idea in reverse, with the creator being a simple mortal man, and the created being an all powerful being of thought and design. The creation is the being of divine perfection, who was created by a man of simple human reality.

In the original work of Michelangelo's Creation of Adam, The space between the two figures is caused by Adam, displaying man kinds choice to connect with God on their own, whereas in The Creation of Whinot, the gap between the two figures is very obviously created by the creator Adam, drawing his hand back in discomfort and disgust. This could be seen objectively from many angles, such as the artists fear of truly connecting with his art work, a disdain for the abnormal and strange, or perhaps a conscious effort not to get too distracted by fantasy and lose track of reality. While all of these explanations are deeply profound, none of these are accurate. The creator is simply disgusted by the nudity of his creation, whereas he is fully dressed. 

The final piece of opposition from Michelangelo's Creation of Adam, would be the impermanence of life.